Sunday, October 30, 2011

Old castle town "Little Kyoto" trying hard to keep its own life
















Oct. 30, 2011

Old castle town "Little Kyoto" trying hard to keep its own life

Cities and towns in various parts of Japan are trying hard to bolster their life by their respective means as the Japanese economy as a whole has been decelerating over the years. Among them is Akizuki of Asakura City, Fukuoka Prefecture, which boasts of its natural beauty and historically important sites as a former castle town.
Akizuki, which literally means “the autumn moon,” is one of more than 20 old towns across the country that are nicknamed “Little Kyoto” because their appearance and historical atmosphere resemble those of Kyoto, Japan’s capital from the late eighth century to the middle of the 19th century.
Akizuki attracts about 500,000 tourists a year, enchanting them with flowering cherry trees in spring, fireflies and moon viewing in summer, colored leaves in autumn and snow scenes in winter.
Akizuki Castle, which had been built on the southern slope of Mt. Kosho, was deserted after the Meiji Restoration of 1868. On its ruins is a junior high school. Tourists cannot enter the school premises, but they can see Kuromon Gate and Nagayamon Gate, the two former gates leading to the castle which have been restored with almost the same style as they used to have. They can also see a 500-meter straight road in front of the castle ruins, which was used for horsemanship training and other purposes by samurai.
Akizuki is just one of the numerous former castle towns in Japan. It is also rather a smaller one, but it is one of the oldest towns of this kind. The original Akizuki Castle was built early in the 13th century by a warlord who worked with the Kamakura shogun government. Akizuki is also unique because its basic structure and layout as a town, including building sites for samurai and ordinary people like merchants as well as roads and watercourses, have been preserved almost as they were. Preserved sites in the town also include a few houses for senior samurai families with thatched roofs and the 200-year-old stone bridge, called Meganebashi, which still stands at one of the entrances to the town. Some Buddhist temples were built mainly on the edges of the town so that they could be converted into forts in wartime.
Akizuki had a population of about 5,000 at its prime time. Its population has decreased to about 1,000, and visitors are limited on weekdays and off season. But local people receive tourists warmly all the time while living a calm life which has been kept over the centuries.

Wednesday, September 28, 2011

(video5) Young samurai meets goddess in exciting Yame mechanical doll play

Sept. 27, 2011





(video4) Young samurai meets goddess in exciting Yame mechanical doll play

Sept. 27, 2011




(video3) Young samurai meets goddess in exciting Yame mechanical doll play

Sept. 27, 2011




(video2) Young samurai meets goddess in exciting Yame mechanical doll play

Sept. 27, 2011





(video1) Young samurai meets goddess in exciting Yame mechanical doll play

Sept. 27, 2011

Young samurai meets goddess in exciting Yame mechanical doll play

The three-story structure used for the Toro Ningyo play in Yame City, Fukuoka Prefecture, is fabricated each time and dismantled after the end of the event. On the upper level of the house are singers and a band of musicians, including drummers. The stage on the medium level has a separable bridge on which two dolls are operated with eight long sticks extended from both wings of the stage. Another doll also performs on the stage, but this is moved by operators from the lower level under the floor. Each doll is operated by six persons.

The doll play shown this year is based on a simple, happy story in which a young samurai from Satsuma, the old name of the current Kagoshima Prefecture, visits Itsukushima Shrine in the current Hiroshima Prefecture to pay homage to the Goddess of Benzaiten and sees a beautiful woman as the goddess incarnate emerge with her maid from the shrine and dance on sweet music while granting his wishes.







Tuesday, September 27, 2011

Small quiet town excited on traditional mechanical doll play in autumn festival
































Sept. 27, 2011

Small quiet town excited on traditional mechanical doll play in autumn festival

Yame City is a quiet town which lives on a variety of small handicraft industries in the southern part of Fukuoka Prefecture, southwestern Japan, but a joyful mood spreads among local people toward the end of September when a time-honored mechanical doll play is performed every year.

The Yame-Fukushima Toro Ningyo show is one of the most existing events in a three-day town-wide festival around the Autumnal Equinox holiday. The doll play, designated as an important national tangible folk cultural asset in 1977, is performed by a company of more than 60 local ordinary people five times every day.

The stage for the 30-minute show is a three-story knockdown house, called “Yatai,” which is set up in the precincts of Fukushima Hachimangu Shrine in the heart of the city. The event attracts a few thousand spectators from around the town, but local people look forward to seeing the last performance on the last night because it is played with all sliding paper doors and shutters around the stage removed to show doll operators, singers, musicians and others to the audience. Local people call the doll play “Tapponpon,” never call it “Toro Ningyo,” as it is officially named. While saying “Let’s go to see Tapponpon,” they gather at the shrine in high spirits.

The event started in the middle of the 18th century as part of “Hojouye” life-releasing rites dedicated to the shrine and later, a mechanical doll play began with a method introduced from Osaka. The doll play used to be performed by residents of about 10 neighborhood blocks around the shrine, but it is currently performed by a company formed by local residents to preserve the cultural asset.

One of major products from Yame is a Japanese green tea brand. Local people also live with traditional handicraft shops, such as “chochin” paper lanterns, candles, papermaking, arrows and stone garden lanterns. They also boast of a group of old two-story houses with hipped gables and white walls on Monmachi Street in front of the shrine, which was lined with banboo lanterns in the evening during the festival.

The last performance this year attracted fewer but more excited spectators than those in the daytime. Every time an MC introduced members of the company one by one at the start of the last performance, shouts of cheer arose from among the audience, spreading a relaxed, friendly atmosphere in night air around the stage. The local economy in Yame is less impressive than ever, as is the case with many other regions across Japan, but local people are determined to preserve and inherit the doll play and other time-honored cultural assets in the town over generations.